˳òåðàòóðà ³ç ðîçä³ëó Foreign Books (Çàðóá³æíà ë³òåðàòóðà)

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  Ô³öäæåðàëüä Ô.

  The Offshore Pirate and Other Stories=ϳðàò íåñõîäæåíèõ ìîð³â òà ³íø³ ³ñòîð³¿. (American Library)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  The Offshore Pirate and Other Stories=ϳðàò íåñõîäæåíèõ ìîð³â òà ³íø³ ³ñòîð³¿. (American Library) Ô³öäæåðàëüä Ô.Ñ.

  The stories by F. Scott Fitzgerald (1896—1940) which are included into the collection are filled with adventures and romanticism. They display the integrated picture of the American society's life in the Jazz Age which reveled in prosperity, squandered money and cherished the ambitious hopes. The writer's heroes scoop from the horn of plenty and seek adventures and his heroines in their escapades do not yield to men in their daring and determination. The proposed works reveal the author's ability of penetrating deeply into the psychology of his contemporaries, delivering the nicest shades of their mood as well as poignancy of their feelings. Humor, mild irony and lyricism which permeate

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  London J.

  Á³ëèé çóá = White Fang (Âèä. ç ïàðàë. òåêñòîì)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  Á³ëèé çóá = White Fang (Âèä. ç ïàðàë. òåêñòîì) London J.

  Òâîð÷³ñòü àìåðèêàíñüêîãî ïèñüìåííèêà Äæåêà Ëîíäîíà (1876— 1916) íå ìåíø ð³çíîìàí³òíà, í³æ éîãî æèòòÿ, ñïîâíåíå ïðèãîä ³ íåáåçïåêè. Ñâîºþ ñëàâîþ â³í çîáîâ'ÿçàíèé ïåðåäóñ³ì âèäàòí³é ïëåÿä³ «ï³âí³÷íèõ îïîâ³äàíü» ³ ïîâ³ñòåé. «Á³ëèé Çóá» — îäèí ç íàéêðàùèõ òâîð³â ïèñüìåííèêà. Öå äèâîâèæíà ³ñòîð³ÿ áðàòåðñòâà ÷îëîâ³êà ³ çâ³ðà, ÿêà âæå ïîíàä ñòî ðîê³â çàõîïëþº ÷èòà÷³â ð³çíèõ ïîêîë³íü. Ó í³é éäåòüñÿ ïðî æèòòÿ ïðèðó÷åíîãî íàï³ââîâêà-íàï³âñîáàêè íà ïð³çâèñüêî Á³ëèé Çóá ï³ä ÷àñ çîëîòî¿ ëèõîìàíêè íà Àëÿñö³ íàïðèê³íö³ XIX ñòîë³òòÿ, ïðî â³ääàíó äðóæáó ö³º¿ ãîðäî¿ ³ âîëåëþáíî¿ òâàðèíè ç ëþäèíîþ, ÿêà êîëèñü âðÿòóâàëà ¿é æèòòÿ.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Hoffmann E.

  Âîëîäàð áë³õ = Meister floh (Âèä. ç ïàðàë. òåêñòîì) (ìã)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  Âîëîäàð áë³õ = Meister floh (Âèä. ç ïàðàë. òåêñòîì) (ìã) Hoffmann E.T.A.

  Åðíñò Òåîäîð Àìàäåé Ãîôìàí (1776—1822) — çíàìåíèòèé í³ìåöüêèé ðîìàíòèê, ÿêèé ìàâ óí³âåðñàëüí³ çä³áíîñò³ â ð³çíèõ ãàëóçÿõ ìèñòåöòâà. ³í áóâ ìóçèêàíòîì, äèðèãåíòîì, ìóçè÷íèì êðèòèêîì, òåàòðàëüíèì äåêîðàòîðîì, ïèñüìåííèêîì, ìóçèêàíòîì, þðèñòîì, ãðàô³êîì... Éîãî ïåðó íàëåæàòü òàê³ âñåñâ³òíüî â³äîì³ òâîðè, ÿê «Çîëîòèé ãîðíåöü», «Âîëîäàð áë³õ», «Êðèõ³òêà Öàõåñ íà ïð³çâèñüêî Öèíîáåð», «Ëóñêóí÷èê», «Æèòòºâà ô³ëîñîô³ÿ êîòà Ìóðà», «Ï³ùàíà ëþäèíà» òà áàãàòî ³íøèõ. Ïî䳿 ó ïîâ³ñò³ Ãîôìàíà «Âîëîäàð áë³õ» ïî÷èíàþòüñÿ ó ÷óäîâèé ð³çäâÿíèé âå÷³ð, êîëè ãîëîâíèé ãåðîé êàçêè ïàí Ïåðåãð³íóñ Òèñ ìèìîâîë³ âèÿâëÿºòüñÿ âòÿãíóòèì ó äèâîâèæí³ ïðèãîäè, ÿê³ ðîçâèâàþòüñÿ òàê ñòð³ìêî, ùî â³í íå âñòèãຠçðîçóì³òè, ùî â³äáóâàºòüñÿ íàñïðàâä³, à ùî — ëèøå ãðà éîãî óÿâè ³ äå âðåøò³ ïðîëÿãຠìåæà ì³æ ðåàëüí³ñòþ òà éîãî ôàíòà糺þ.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Henry O.

  Cabbages and Kings = Êîðîë³ ³ êàïóñòà. (American Library)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  Cabbages and Kings = Êîðîë³ ³ êàïóñòà. (American Library) Henry O.

  "Cabbages and Kings" is the only novel by O. Henry (William Sydney Porter, 1862—1910), an acknowledged master of small prose. It consists of the short stories which, in picaresque-adventure manner, describe the life of the careless inhabitants of the imaginary "banana" republic of Anchuria lost in the tropical paradise of the Caribbean coast. This is a real Eldorado for the swindlers, dealers, and smugglers of every stripe and sample. In pursuit of easy profit they fall upon the brainiest jobberies and frauds often getting into comic situations, still coming unscathed out of the battle. Despite their adventurism, the heroes of the novel evoke sincere sympathy giving assurance that any life troubles can be overcome.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Edith W.

  The Age of Innocence = Ïîðà íåâèííîñò³. (American Library)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  The Age of Innocence = Ïîðà íåâèííîñò³. (American Library) Edith Wharton

  "The Age of Innocence" is the best-known novel by the American writer Edith Wharton (1862—1937) for which she got the Pulitzer Prize. The action of the novel unfolds in the 70s of the 19th century and, by the author's confession, it was her escape into the memories of childhood about America which had disappeared long ago, the attempt to reconcile that old world with the new one which arose after the First World War. The writer touchingly and at the same time ironically narrates the story of love of Newland Archer, a respectable young lawyer, and Countess Olenska, an extravagant cousin of his bride. Her heroes suffer badly, strive for happiness, but will they have enough moral powers to assert their feelings?

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Dickens C.

  The Battle of Life; The Haunted Man and the Ghost‘s Bagrain = Áèòâà æèòòÿ; Îäåðæèìèé òà óãîäà ç ïðèâèäîì (English Library)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  The Battle of Life; The Haunted Man and the Ghost‘s Bagrain = Áèòâà æèòòÿ; Îäåðæèìèé òà óãîäà ç ïðèâèäîì (English Library) Dickens Charles

  The Christmas tales by Charles Dickens (1812— 1870) remind people about high moral truths and real human values. The main heroes of this book come, by their own way, to understanding the importance of charity, friendship, mutual assistance, family comfort — the things without which it is impossible to build up happy life. Infinitely kind heart of the nearest and dearest person melts the ice in the soul of "haunted" scientist Redlaw and incredibly sacrificial love helps two sisters Jeddler to conquer the field in the complicated battle of life.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  London J.

  The Call of the Wild and Other Stories = Ïîêëèê ïðåäê³â òà ³íø³ îïîâ³äàííÿ (American Library)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  The Call of the Wild and Other Stories = Ïîêëèê ïðåäê³â òà ³íø³ îïîâ³äàííÿ (American Library) London J.

  The gem of the works by Jack London (1876—1916) remains his northern cycle. On the arctic expanses, hearts obey strange laws incomprehensible for those ones who have never been in these far-off lands. The heroes of the writer's works — Indians who assert their old-established customs, white people — unbidden strangers in search of enrichment, clever and devoted dogs — have to struggle for their subsistence with natural forces as well as with one another. The North becomes the most severe probation of the people's and animals' potentialities and only the unconquerable strength of mind and will help them survive in these extreme conditions.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Theodore D.

  The Prince Who Was a Thief and Other Storie = Ïðèíö-çëîä³é òà ³íø³ îïîâ³äàííÿ (American Library)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  The Prince Who Was a Thief and Other Storie = Ïðèíö-çëîä³é òà ³íø³ îïîâ³äàííÿ (American Library) Theodore Dreiser

  Theodore Dreiser (1871—1945) is one of the most outstanding writers-realists of the USA at the turn of the 20th century, the epoch which is characterized not only by considerable social shifts but also by significant transformation of thinking. In his stories, the writer ponders over the moral state of modern American society of his time and emphasizes the growth of the personality's amorality and aggression. He continually forces his heroes to make their choice revealing the inconsistency of human nature and demonstrates in addition the ability of the great expert at writing profoundly and on a good scale to elucidate acute problems in the small literary form.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Êåððîëë Ë.

  Àë³ñà â Äèâîêðà¿ = Alice’s Adventures in Wonderland, (Âèä. ç ïàðàë. òåêñòîì)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  Àë³ñà â Äèâîêðà¿ = Alice’s Adventures in Wonderland, (Âèä. ç ïàðàë. òåêñòîì) Êåððîëë Ë.

  Ëüþ¿ñ Êåððîëë — ïñåâäîí³ì áëèñêó÷îãî îêñôîðäñüêîãî ìàòåìàòèêà, ëîã³êà, ïèñüìåííèêà ³ ôîòîãðàôà ×àðëçà Ëóòâ³äæà Äîäæñîíà (1832—1898). Âñåñâ³òíþ â³äîì³ñòü àâòîðó ïðèíåñëè ôàíòàñìàãîð³éí³ òâîðè «Àë³ñà â Äèâîêðà¿», «Àë³ñà â Çàäçåðêàëë³», «Ïîëþâàííÿ íà Ñíàðêà». Ó 1865 ðîö³ â³í îïóáë³êóâàâ ³ñòîð³þ ìàëåíüêî¿ ä³â÷èíêè Àë³ñè, ÿêà ïðîâàëèëàñÿ ó êðîëÿ÷ó íîðó ³ â³äêðèëà çîâñ³ì ³íøèé ñâ³ò — íåéìîâ³ðíèé, ÷óäîâèé ³ ïîâíèé óñ³ëÿêèõ íåáåçïåê. ³äòîä³ ïî÷àëèñÿ áåçñìåðòí³ ïðèãîäè Àë³ñè — ìîæëèâî, íàéçíàìåíèò³øî¿ ãåðî¿í³ àíãë³éñüêî¿ ë³òåðàòóðè. Êàçêà, ÿêó ïîëþáèëè ä³òè ³ äîðîñë³, ñòàëà îäíèì ç êðàùèõ çðàçê³â ë³òåðàòóðè ó æàíð³ àáñóðäó.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Êåððîëë Ë.

  Àë³ñà â Çàäçåðêàëë³ = Through the Looking Glass, and What Alice found there. (Âèä. ç ïàðàë. òåêñòîì)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  Àë³ñà â Çàäçåðêàëë³ = Through the Looking Glass, and What Alice found there. (Âèä. ç ïàðàë. òåêñòîì) Êåððîëë Ë.

  Ëüþ¿ñ Êåððîëë — ïñåâäîí³ì áëèñêó÷îãî îêñôîðäñüêîãî ìàòåìàòèêà, ëîã³êà, ïèñüìåííèêà ³ ôîòîãðàôà ×àðëçà Ëóòâ³äæà Äîäæ-ñîíà (1832—1898). Âñåñâ³òíþ â³äîì³ñòü àâòîðó ïðèíåñëè ôàíòà-ñìàãîð³éí³ òâîðè «Àë³ñà â Äèâîêðà¿», «Àë³ñà â Çàäçåðêàëë³», «Ïîëþâàííÿ íà Ñíàðêà». Öå ñïðàâæí³ ñêàðáíèö³ áëèñêó÷î¿ ãðè ñë³â, ëîã³êè ³ ôàíòà糿. «Àë³ñà â Çàäçåðêàëë³» — ïðîäîâæåííÿ çíàìåíèòî¿ êàçêè ïðî ïðèãîäè Àë³ñè, ìîæëèâî, íàéçíàìåíèò³øî¿ ãåðî¿í³ àíãë³éñüêî¿ ë³òåðàòóðè. Ó äèâîâèæí³é êðà¿í³-øàõ³âíèö³, äå âñå íàâïàêè, íà ä³â÷èíêó ÷åêຠáåçë³÷ çàãàäîê ³ äèâíèõ ïåðñîíàæ³â. Òà ÷è ä³éñíî öå ò³ëüêè ¿¿ ñîí?..

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Ñåíò-Åêçþïåð³ À.

  Ìàëåíüêèé ïðèíö = Le Petit Prince (Âèä. ç ïàðàë. òåêñòîì)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  Ìàëåíüêèé ïðèíö = Le Petit Prince (Âèä. ç ïàðàë. òåêñòîì) Ñåíò-Åêçþïåð³ À.

  Òâîðè â³äîìîãî ôðàíöóçüêîãî ïèñüìåííèêà, ïîåòà, ïðîôåñ³éíîãî ëüîò÷èêà Àíòóàíà äå Ñåíò-Åêçþïåð³ (1900—1944) ðàç ó ðàç ïðèâåðòàþòü óâàãó ñó÷àñíîãî ÷èòà÷à, áî ñïîâíåí³ ìàéæå ì³ñòè÷íîãî ïåðåãóêó ç íàøèì äíåì: âîíè ïîÿñíþþòü, çâ³äêè ìè âèéøëè é êóäè ïðèéøëè. Ó ñâî¿é òâîð÷îñò³ ïèñüìåííèê ñïðîì³ãñÿ ïîðóøèòè òàê³ ïèòàííÿ, ùî ñüîãîäí³ íàáóëè àáñîëþòíî¿ çíà÷óùîñò³: ïðîãðåñ ³ éîãî ö³íà, ïàíóâàííÿ òåõí³êè é ðîçïëàòà çà öå, ðèçèê òà â³äïîâ³äàëüí³ñòü, ñåíñ ëþäñüêîãî æèòòÿ... Ô³ëîñîôñüêà êàçêà «Ìàëåíüêèé Ïðèíö» (1943), ùî ïðåäñòàâëåíà ó öüîìó âèäàíí³, ñòàëà ï³äñóìêîì æèòòºâîãî äîñâ³äó ïèñüìåííèêà ³ áóëà ïåðåêëàäåíà ïîíàä 180 ìîâàìè ñâ³òó..

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Êîíîïíèöüêà Ì.

  Ïðî êðàíñîëþäê³â òà ñèð³òêó Ìàðèñþ = O krasnoludkach i sierotce Marysi. (Âèä. ç ïàðàë. òåêñòîì)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  Ïðî êðàíñîëþäê³â òà ñèð³òêó Ìàðèñþ = O krasnoludkach i sierotce Marysi. (Âèä. ç ïàðàë. òåêñòîì) Êîíîïíèöüêà Ì.

  Ìàð³ÿ Êîíîïíèöüêà (1842 —1910) — ïîëüñüêà ïèñüìåííèöÿ, ïîåò, íîâåë³ñò, ë³òåðàòóðíèé êðèòèê ³ ïóáë³öèñò, àâòîð òâîð³â äëÿ ä³òåé ³ þíàöòâà. Ö³ òâîðè íå âòðàòèëè ïîïóëÿðíîñò³ äîíèí³, îñîáëèâî êàçêà «Ïðî êðàñíîëþäê³â òà ñèð³òêó Ìàðèñþ», ÿêà ïåðåêëàäåíà áàãàòüìà ìîâàìè òà íåîäíîðàçîâî ïåðåâèäàâàëàñÿ. Öÿ êàçêîâà ïîâ³ñòü ñêëàäàºòüñÿ ç áåçë³÷³ ð³çíèõ ³ñòîð³é, ùî â³äáóâàþòüñÿ ç ÷àð³âíèìè ³ñòîòàìè — êðàñíîëãîäêàìè, ÿê³, ïåðåçèìóâàâøè ó ñâîºìó ï³äçåìíîìó öàðñòâ³, íàâåñí³ ï³äíÿëèñÿ íà ïîâåðõíþ. Âîíè îõî÷å ñï³ëêóþòüñÿ ç ä³òüìè, áî ò³ëüêè ò³ ìîæóòü ¿õ áà÷èòè. À ùîäî äîðîñëèõ, òî, ÿê ³ ó êîæí³é êàçö³, äîïîìîãó îòðèìóþòü ëèøå äîáð³ òà ïðàöüîâèò³, à æàä³áí³ òà çë³ áóâàþòü ïîêàðàí³. Òàê, êðàñíîëþäêè çìîãëè çðîáèòè á³äíîãî ñåëÿíèíà áàãàòèì à éîãî ä³òåé çäîðîâèìè ³ ñèëüíèìè, à ùå äîïîìîãëè ñèð³òö³ Ìàðèñ³ çíàéòè ðîäèíó. ² ò³ëüêè çàê³í÷èâøè âñ³ ñïðàâè, âîíè ïîâåðòàþòüñÿ äî ñâîãî ï³äçåìíîãî öàðñòâà.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü

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