˳òåðàòóðà ³ç ðîçä³ëó Foreign Books (Çàðóá³æíà ë³òåðàòóðà)

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  Curwood J.

  Kazan / Êàçàí

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  Ïåðåãëÿíóòè

  

  Kazan / Êàçàí Curwood J.O.

  It is one of the best-known novels by the American prose writer and conservationist James Oliver Curwood (1878—1927) which belongs to the gold fund of adventure literature and continues the best traditions of Jack London's works. Because of his origin, a quarter of a wolf and three quarters of a dog, Kazan is torn between two worlds — the one of the people and that of the animals. The struggle of the two bases does not stop for a moment, making the reader worry about the destiny of this incredibly noble and handsome animal merciless to all those who violate his rights and thoughtful of those who is not indifferent to him.

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  Kipling R.

  Kim / ʳì

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  Ïåðåãëÿíóòè

  

  Kim / ʳì Kipling R.

  "Kim" by Rudyard Kipling (1865—1936) is one of the first spy novels in the world literature which is entered on the gold reserves of the classics for teenagers. The history of a boy who has sharp wit, likes to be in the epicentre of events and is quickly growing up is being spread before us. Having made Lama's acquaintance, who is looking for the holy river, Kim sets off with him to tour Hindustan, on his way finding time for carrying out the commissions of the agents of the British special services. This novel is about the formation of the personality, the search of one's destiny and, what is most important, about the ability to survive in the complicated and contradictory world.

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  Nova E.

  Ñîâà â çîîïàðêó. (The Owl at the Zoo)

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  Ñîâà â çîîïàðêó. (The Owl at the Zoo) Nova E.

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  London J.

  Á³ëèé çóá = White Fang (Âèä. ç ïàðàë. òåêñòîì) (ìã)

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  Ïåðåãëÿíóòè

  

  Á³ëèé çóá = White Fang (Âèä. ç ïàðàë. òåêñòîì) (ìã) London J.

  Òâîð÷³ñòü àìåðèêàíñüêîãî ïèñüìåííèêàÄæåêàËîíäîíà (1876— 1916) íå ìåíø ð³çíîìàí³òíà, í³æ éîãî æèòòÿ, ñïîâíåíå ïðèãîä ³ íåáåçïåêè. Ñâîºþ ñëàâîþ â³í çîáîâ'ÿçàíèé ïåðåäóñ³ì âèäàòí³é ïëåÿä³ «ï³âí³÷íèõ îïîâ³äàíü» ³ ïîâ³ñòåé. «Á³ëèé Çóá» — îäèí ç íàéêðàùèõ òâîð³â ïèñüìåííèêà. Öå äèâîâèæíà ³ñòîð³ÿ áðàòåðñòâà ÷îëîâ³êà ³ çâ³ðà, ÿêà âæå ïîíàä ñòî ðîê³â çàõîïëþº ÷èòà÷³â ð³çíèõ ïîêîë³íü. Ó í³é éäåòüñÿ÷ ïðî æèòòÿ ïðèðó÷åíîãî íàï³ââîâêà-íàï³âñîáàêè íà ïð³çâèñüêî Á³ëèé Çóá ï³ä ÷àñ çîëîòî¿ ëèõîìàíêè íà Àëÿñö³ íàïðèê³íö³ XIX ñòîë³òòÿ, ïðî â³ääàíó äðóæáó ö³º¿ ãîðäî¿ ³ âîëåëþáíî¿ òâàðèíè ç ëþäèíîþ, ÿêà êîëèñü âðÿòóâàëà ¿é æèòòÿ.

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  Ïî Å.

  Äîðîãè, ùî ìè îáèðàºìî = The Roads we take (Âèä. ç ïàðàë. òåêñòîì) (ìã)

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  Äîðîãè, ùî ìè îáèðàºìî = The Roads we take (Âèä. ç ïàðàë. òåêñòîì) (ìã) Ïî Å.À.

  «Âàæëèâ³ íå äîðîãè, ÿê³ ìè îáèðàºìî, âàæëèâå òå, ùî ó íàñ â äóø³», — íàïèñàâ Î. Ãåíð³ (1862—1910) â îäíîìó ç³ ñâî¿õ îïîâ³äàíü. Éîãî òâîðè — öå ³ñòî𳿠êëåðê³â, ïðîäàâ÷èíü, áðîäÿã, íåâ³äîìèõ õóäîæíèê³â, äð³áíèõ àâàíòþðèñò³â, ôåðìåð³â, ¿õí³ äîë³, ïîìèëêè, ùàñòÿ, ñëüîçè. Ëàêîí³÷í³ñòü âèêëàäó, òîíêèé ³óìîð, íåçâè÷àéí³ñòü ñþæåòó ³ çàâæäè íåïåðåäáà÷óâàíà ðîçâ'ÿçêà óæå á³ëüøå ñòà ðîê³â ïðèâåðòàþòü óâàãó ÷èòà÷³â äî ìàëî¿ ïðîçè Î. Ãåíð³, âåëèêîãî ïèñüìåííèêà «ìàëåíüêèõ ëþäåé».

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• 

  Porter E.

  Pollyanna=Ïîëë³àííà. (American Library)

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  Pollyanna=Ïîëë³àííà. (American Library) Porter E.H.

  The novel "Pollyanna" by cult American writer Eleanor H. Porter (1868—1920) has long ago won the worldwide fame and gained the readers' love. The book was filmed more than once, and after it had been published, in psychology there even appeared the terms "Pollyanna principle" and "Pollyannaism". The reasons of such tremendous success were love of life and optimism irradiated by the main heroine of the novel. Little Pollyanna taught the whole township to look for positive where it would seem impossible to find it. She calls it the "glad game", and each reader, having opened the book, becomes a participant in this marvelous game.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Arthur C.D.

  The Memoirs of Sherlock Holmes. The Musgrave Ritual and Other Stories = Ñïîãàäè ïðî Øåðëîêà Õîëìñà: Îáðÿä ðîäèíè Ìàñãðåéâ³â òà ³íø³. (English Library)

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  Ïåðåãëÿíóòè

  

  The Memoirs of Sherlock Holmes. The Musgrave Ritual and Other Stories = Ñïîãàäè ïðî Øåðëîêà Õîëìñà: Îáðÿä ðîäèíè Ìàñãðåéâ³â òà ³íø³. (English Library) Arthur Conan Doyle

  Among the cases which Sherlock Holmes investigates in this collection are not only those ones in which the peccable nature of the criminals and human weak points are being revealed ("Silver Blaze", "The Cardboard Box", "The Stockbroker's Clerk", "The Gloria Scotf), but also the cases in which the solutions of them impel the detective's clients to take humane decisions and commit noble deeds ("The Yellow Face"); in one of the stories, Holmes even tries to reveal the state secret of the Charles I and Charles II epochs ("The Musgrave Ritual"). In all these cases his logical thought, his attention to details, the knack of analysing remain worthy of amazement and enchant.

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  Ô³öäæåðàëüä Ô.

  The Offshore Pirate and Other Stories=ϳðàò íåñõîäæåíèõ ìîð³â òà ³íø³ ³ñòîð³¿. (American Library)

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  The Offshore Pirate and Other Stories=ϳðàò íåñõîäæåíèõ ìîð³â òà ³íø³ ³ñòîð³¿. (American Library) Ô³öäæåðàëüä Ô.Ñ.

  The stories by F. Scott Fitzgerald (1896—1940) which are included into the collection are filled with adventures and romanticism. They display the integrated picture of the American society's life in the Jazz Age which reveled in prosperity, squandered money and cherished the ambitious hopes. The writer's heroes scoop from the horn of plenty and seek adventures and his heroines in their escapades do not yield to men in their daring and determination. The proposed works reveal the author's ability of penetrating deeply into the psychology of his contemporaries, delivering the nicest shades of their mood as well as poignancy of their feelings. Humor, mild irony and lyricism which permeate

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  Ô³öäæåðàëüä Ô.

  ϳðàò íåñêîðåíèõ ìîð³â òà ³íø³ ³ñòîð³¿. (American Library)

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  Ïåðåãëÿíóòè

  

  ϳðàò íåñêîðåíèõ ìîð³â òà ³íø³ ³ñòîð³¿. (American Library) Ô³öäæåðàëüä Ô.Ñ.

  Îïîâ³äàííÿ Ô. Ñêîòòà Ô³öäæåðàëüäà (1896— 1940), ùî óâ³éøëè äî çá³ðêè, ñïîâíåí³ ïðèãîä ³ ðîìàíòèêè. Âîíè ðîçãîðòàþòü ö³ë³ñíó êàðòèíó æèòòÿ àìåðèêàíñüêîãî ñóñï³ëüñòâà åïîõè äæàçó, ÿêå óïèâàëîñÿ ïðîöâ³òàííÿì, òðèíüêàëî ãðîø³ òà ïëåêàëî àìá³òí³ íà䳿. Ãåðî¿ ïèñüìåííèêà ÷åðïàþòü ³ç ðîãó äîñòàòêó ³ øóêàþòü ïðèãîä, à ãåðî¿í³ ó ñâî¿õ âèò³âêàõ íå ïîñòóïàþòüñÿ ÷îëîâ³êàì ñì³ëèâ³ñòþ é ð³øó÷³ñòþ. Ïðîïîíîâàí³ òâîðè äåìîíñòðóþòü óì³ííÿ àâòîðà ãëèáîêî ïðîíèêíóòè ó ïñèõîëîã³þ ñó÷àñíèê³â ³ ïåðåäàòè íàéòîíø³ â³äò³íêè ¿õíüîãî íàñòðîþ òà ãîñòðîòó â³ä÷óòò³â. À ãóìîð, ì'ÿêà ³ðîí³ÿ ³ ë³ðèçì, ÿê³ ïðîíèçóþòü êîæíå îïîâ³äàííÿ, äàðóþòü íàì íåçàáóòíþ íàñîëîäó òà çà÷àðîâóþòü.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  London J.

  Á³ëèé çóá = White Fang (Âèä. ç ïàðàë. òåêñòîì)

  Íåìຠâ íàÿâíîñò³

  Ïåðåãëÿíóòè

  

  Á³ëèé çóá = White Fang (Âèä. ç ïàðàë. òåêñòîì) London J.

  Òâîð÷³ñòü àìåðèêàíñüêîãî ïèñüìåííèêà Äæåêà Ëîíäîíà (1876— 1916) íå ìåíø ð³çíîìàí³òíà, í³æ éîãî æèòòÿ, ñïîâíåíå ïðèãîä ³ íåáåçïåêè. Ñâîºþ ñëàâîþ â³í çîáîâ'ÿçàíèé ïåðåäóñ³ì âèäàòí³é ïëåÿä³ «ï³âí³÷íèõ îïîâ³äàíü» ³ ïîâ³ñòåé. «Á³ëèé Çóá» — îäèí ç íàéêðàùèõ òâîð³â ïèñüìåííèêà. Öå äèâîâèæíà ³ñòîð³ÿ áðàòåðñòâà ÷îëîâ³êà ³ çâ³ðà, ÿêà âæå ïîíàä ñòî ðîê³â çàõîïëþº ÷èòà÷³â ð³çíèõ ïîêîë³íü. Ó í³é éäåòüñÿ ïðî æèòòÿ ïðèðó÷åíîãî íàï³ââîâêà-íàï³âñîáàêè íà ïð³çâèñüêî Á³ëèé Çóá ï³ä ÷àñ çîëîòî¿ ëèõîìàíêè íà Àëÿñö³ íàïðèê³íö³ XIX ñòîë³òòÿ, ïðî â³ääàíó äðóæáó ö³º¿ ãîðäî¿ ³ âîëåëþáíî¿ òâàðèíè ç ëþäèíîþ, ÿêà êîëèñü âðÿòóâàëà ¿é æèòòÿ.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Hoffmann E.

  Âîëîäàð áë³õ = Meister floh (Âèä. ç ïàðàë. òåêñòîì) (ìã)

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  Ïåðåãëÿíóòè

  

  Âîëîäàð áë³õ = Meister floh (Âèä. ç ïàðàë. òåêñòîì) (ìã) Hoffmann E.T.A.

  Åðíñò Òåîäîð Àìàäåé Ãîôìàí (1776—1822) — çíàìåíèòèé í³ìåöüêèé ðîìàíòèê, ÿêèé ìàâ óí³âåðñàëüí³ çä³áíîñò³ â ð³çíèõ ãàëóçÿõ ìèñòåöòâà. ³í áóâ ìóçèêàíòîì, äèðèãåíòîì, ìóçè÷íèì êðèòèêîì, òåàòðàëüíèì äåêîðàòîðîì, ïèñüìåííèêîì, ìóçèêàíòîì, þðèñòîì, ãðàô³êîì... Éîãî ïåðó íàëåæàòü òàê³ âñåñâ³òíüî â³äîì³ òâîðè, ÿê «Çîëîòèé ãîðíåöü», «Âîëîäàð áë³õ», «Êðèõ³òêà Öàõåñ íà ïð³çâèñüêî Öèíîáåð», «Ëóñêóí÷èê», «Æèòòºâà ô³ëîñîô³ÿ êîòà Ìóðà», «Ï³ùàíà ëþäèíà» òà áàãàòî ³íøèõ. Ïî䳿 ó ïîâ³ñò³ Ãîôìàíà «Âîëîäàð áë³õ» ïî÷èíàþòüñÿ ó ÷óäîâèé ð³çäâÿíèé âå÷³ð, êîëè ãîëîâíèé ãåðîé êàçêè ïàí Ïåðåãð³íóñ Òèñ ìèìîâîë³ âèÿâëÿºòüñÿ âòÿãíóòèì ó äèâîâèæí³ ïðèãîäè, ÿê³ ðîçâèâàþòüñÿ òàê ñòð³ìêî, ùî â³í íå âñòèãຠçðîçóì³òè, ùî â³äáóâàºòüñÿ íàñïðàâä³, à ùî — ëèøå ãðà éîãî óÿâè ³ äå âðåøò³ ïðîëÿãຠìåæà ì³æ ðåàëüí³ñòþ òà éîãî ôàíòà糺þ.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü
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  Shakespeare W.

  Othello / Îòåëëî. (English Library)

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  Ïåðåãëÿíóòè

  

  Othello / Îòåëëî. (English Library) Shakespeare W.

  Ïîâ³äîìèòè ïðî íàÿâí³ñòü

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