Woolf V. - êíèãè ³ á³îãðàô³ÿ

Ðîìàí ³ðäæèí³¿ Âóëô (1882–1941) «Ì³ñ³ñ Äåëëîâåé» º øåäåâðîì «çîëîòîãî â³êó» àíãë³éñüêîãî ìîäåðí³çìó. Ó íüîìó ðîçïîâ³äàºòüñÿïðî îäèí äåíü ³ç æèòòÿ àðèñòîêðàòêè ñåðåäíüîãîâ³êó Êëàðèñè Äåëëîâåé, à òàêîæ ðîçêðèâàþòüñÿïî䳿 ç ¿¿ ìèíóëîãî. Çì³ñò ðîìàíó íå îáìåæóºòüñÿñþæåòîì — òóò âàãîìèì º íå òå, ùî ïåðñîíàæ³ãîâîðÿòü àáî ÷èíÿòü, à òå, ùî âîíè ïðè öüîìóäóìàþòü ³ â³ä÷óâàþòü… гâåíü ñêëàäíîñò³ – Intermediate

To the Lighthouse is a modernist novel by Virginia Woolf (1882–1941), the plot of which being secondary to the philosophical reflections of the characters. It depicts two visits by the Ramsay family to their country house on the Isle of Skye in Scotland in 1910 and 1920. Among the many themes that the novel explores, are the issues of loss, subjectivity, the nature of art, and perception. «Äî ìàÿêà» — ìîäåðí³ñòñüêèé ðîìàí ³ðäæèí³¿ Âóëô (1882–1941), ñþæåò ÿêîãî âòîðèííèé ùîäî ô³ëîñîô ñüêèõ ðîçäóì³â ïåðñîíàæ³â. Ó íüîìó çìàëüîâàíî äâà â³çèòè ðîäèíè Ðåìç³ äî âëàñíîãî çàì³ñüêîãî áóäèíêó íà îñòðîâ³ Ñêàé ó Øîòëàí䳿 1910 òà 1920 ðð. Ç-ïîì³æ áàãàòüîõ òåì, ùî ïîðóøóþòüñÿ ó òâîð³, º âòðàòà, ñóá’ºêòèâí³ñòü, ïðèðîäà ìèñòåöòâà ³ ïðîáëåìà ñïðèéíÿòòÿ.

"To the Lighthouse" is one of the best-known novels by the British writer, a brilliant representative of modernistic prose Virginia Woolf (1882—1941). This work is to some degree autobiographical. The writer copied the main heroes — Mr and Mrs Ramsay — from her parents. That's just they who represent in the novel two opposite worlds: male — cold, logic, impatient one, and female — the world of warmth, understanding, comfort, sympathy. In spite of this, the role of the characters in the novel is rather relative because Virginia Wbolf's style is unusual: she portrays not so much her heroes and their deeds, as thoughts, ideas, and moods, forming in this way a new psychological manner of writing and giving orienting points for all the modern literature.